One of the best war memorials I've ever seen is a German Expressionist sculpture (above) by Ernst Barlach. It was executed in clay in 1927 to commemorate the dead of WWI, but the Nazis didn't like it and WWII intervened with the result that it wasn't cast in bronze until 1952. It's a pity that it's not better known. The horror of war may never have been depicted as accurately.
Thinking about Barlach made me curious to know more about the Expressionist sculptors.
So far as I know the first Expressionist sculptor was Rodin, a Frenchman. For Rodin nature was a starting point but it always had to be modified by human bias. You could argue that sculpture was always like that but Rodin added exploration and risk and performance.
For all its beauty there's something wild and almost unhinged about German Expressionism, as if the artists who did it were under a lot of stress. I wonder sometimes if some of them were crazy. The colors and the angles they used were often downright strident. They worked, though...the colors I mean.
Thinking about Barlach made me curious to know more about the Expressionist sculptors.
So far as I know the first Expressionist sculptor was Rodin, a Frenchman. For Rodin nature was a starting point but it always had to be modified by human bias. You could argue that sculpture was always like that but Rodin added exploration and risk and performance.
Rodin worked in clay, marble and bronze but lots of later German sculptors preferred wood. Maybe that's because their African influences worked in that medium. Maybe it's because wood was cheap and the artists were poor. One sculptor (Kirchner, above) said he liked wood because the process of carving and creation were visible on the finished piece for all to see. Conventional sculpture was worked in clay and handed off to others
for metal casting. Only in wood could you say that the final product was produced by a single mind.
Incidentally, I like the way Kirchner frequently photographed his sculptures (above) against painted patterns.
For all its beauty there's something wild and almost unhinged about German Expressionism, as if the artists who did it were under a lot of stress. I wonder sometimes if some of them were crazy. The colors and the angles they used were often downright strident. They worked, though...the colors I mean.